In this lesson we’re going to breakdown this awesome melodic sweep picked arpeggio sequence by Iceferno. This creative sequence covers a few different chord tonalities, 7ths & inversions and ties them all together in one badass progression. If you want an overview of the lesson then you can just download the tab. Godspeed!
Here at Strings Of Rage we’re massive fans of the amazing songwriter Iceferno, who is also based in the UK. Like us Iceferno is also a huge fan of the Streets Of Rage series. We were super stoked to hear his interpretation of a Streets of Rage style album. His song ‘Vengeance II’ incorporates a sick melodic sweep picking progression that blew us away when we first heard it.
Melodic Sweep Picking: Arpeggio Sequence
Let’s take a listen to this arpeggio progression in it’s entirety so we know the desired result! Make sure you notice how many times each arpeggio is played. This caught us out a few times while we were transcribing this. Also be aware of the clever and subtle change from the minor 7 to the dominant 7 on the 2nd arpeggio.Continue Reading
Welcome to this intervallic tapping webisode! In this quick lick lesson we’re going to use big intervallic sounds with chord extensions to create a tapped arpeggio sequence.
In this intervallic tapping lesson we’ll be in the key of A Major. That’s the notes A B C# D E F# G#. We’ll also be tapping the extensions Add 9 and Add 11. In addition we’ve included a bonus extended lick in the downloadable tab book as well. You can download the tab now or read the lesson first and then download the tab at the bottom.Continue Reading
ATTENTION! In this weeks episode we’re going to be looking at creating a beautiful 5 & 6 string sweep picking progression that flows seamlessly through 3 altered major chords. The real magic in the sound of this progression is the extended notes we’re adding in to each arpeggio.
This takes a very normal sounding sweep picking progression into something with interesting and unusual sonic quality that will really grab some attention. We’ll strategically choose our arpeggio inversions to keep each shape within the same position on the fretboard. This means we can do a huge sounding sweep picked progression without having to move all over the neck. NOW GET TO IT!