Welcome! In this lesson we’re going to learn a creative string skipping and tapping sequence that changes key on the same root note, meaning that we’ll change between G Major & G Minor. We’ll also be using some extended arpeggios that use 7th and 9th extensions. If you want to read the lesson later then download the tab book.
We’re going to take two basic string skipping tapped arpeggios and make a sequence out of them to make it more interesting. This tapping sequence uses T2 and T3 tapping, that’s two fingers on your picking hand. Usually I would suggest your middle and ring finger so you can still hold the pick. For a really creative sound that throws your listener off we’re going to change key using the same root note. Let take a look at these basic shapes first and then we can check out the sequence.Continue Reading
In this episode of Power Up! we’re going to look at a simple tapping lick in B minor. This will help you to perfect the technique before moving on to more complex tapping ideas.
Tapping in B Minor – We’re going to tap with both hands rather than pulling off from the picking hand to the fret-board hand, although feel free to play it that way too. This will give us a slight “staccato” feel. Check out the video below:Continue Reading
Writing (not Falling) In Reverse! In this lesson we’re going to look at some ways to add rhythms to a lead guitar part when the lead part was written first. We’ll use a lick that we’ve previously written in B phrygian to demonstrate and find inspiration to how this can work.
Most commonly you would write a rhythm track and song structure before exploring how melodies and solos can work over the given chords. Understanding how to reverse engineer these ideas will not only help writing a guitar solo, but it will help your guitar playing in many other ways too. If you can master this you’ll be a versatile band musician as well. If you’re anything like us you’ll always find times where you’ve written an incredible lead lick, solo or melody that then needs backing music to support it! Let’s get into it!Continue Reading
Welcome! In this Strings of Rage™ webisode we’re going to look at a unique way to blaze through multiple octaves across the neck. This is a great way to cover a lot of the neck quickly and creatively. This works out great not only as a rippin’ shred lick but you can weave these types of exotic dominant sounding ideas into your lead melodies as well.
To do these Dominant Sweep Picking Arpeggios we’re going to use the dominant pentatonic scale as our basis. With a bit of creative thinking we can lay out this scale in a way that lends itself to an ultra efficient & seamless sweep picking pattern. Let’s get to it!Continue Reading
We’re back for another deep dive into some exotic sounds, this time through the mystical Neapolitan Minor Scale! If you’re looking to unleash some exotic flavours into your playing then check this out! We’ll be learning all the modes of this scale as well as the chord qualities that can be derived from each mode. Let’s get into it!
The Neapolitan minor scale is a really exciting one, you could think of it as harmonic minor with added chromaticism. Used in the right way, this scale and its related modes can really throw your listener off with dramatic effect! We’ll be sure to check out the modes of this scale as well as the corresponding chords that are available. If you want to read this later you can always download the free eBook for this lesson.Continue Reading
Welcome to this 2nd instalment of exotic scales & modes. Today we’re heading to the far east to unearth some inspiration. This is a sound from the depths of ancient Japan. This Hirajoshi Scale is a 5 note scale which makes it a pentatonic scale. Penta meaning 5 in Greek.
These Japanese style pentatonic scales are easy to learn because they feel so similar to the traditional pentatonics and dominant pentatonics. This scale will open up new ideas therefore imbuing your playing with an exotic new sound. If you know your pentatonic scales then learning this Hirajoshi scale will be an exciting addition to your modal arsenal. Additionally if you know your 3nps Major Scale Modes then you can derive these scales from those as well.Continue Reading
Today we’re going to look at some ‘Tritone Substitutions’. So what is a Tritone and what is a Substitution?Continue Reading
Understanding the differences between the scales and modes can feel like a daunting task. What makes a scale Major or Minor? Why do we get different chords from different scales? Understanding the intervals which make up each scale or mode can help. One way to do this is to learn the scales across a single string so that you can more easily see the distances between notes.
In this post we’re going to look at 11 different scales/modes, all starting from the root note A. We’ll play them on the A string to keep things simple. Moving these patterns to other strings will give you different key centers as will moving the patterns up the fretboard. We’ll start by looking at all twelve intervals in relation to the note A:Continue Reading
Welcome! Today we’re going to look at a simple Legato lick to help ‘power-up’ our playing. The aim is to improve our dexterity, finger strength and stamina.
In traditional musical notation “Legato” means to play or sing notes smoothly transitioning from one to the next with no gaps in between. (The opposite of this would be Staccato, where you cut off each note and have a brief silence before the next note.Continue Reading
Lets talk about slides! Not the kind you get at the park because as everyone knows swings are way more fun. Today we’re talking about sliding technique.
Sliding involves plucking a note and then sliding your finger up, or down the fretboard to a new fret position, so for example we could play a G on the 5th fret D string and slide up one fret to the 6th, the note Ab.Continue Reading
Hello! Today we’re going to look at a few different ways you can add some extra interest to a solo, chord progression or riff by using a wah-wah pedal. The Wah is a truly classic pedal, however, even now, there’s still many reasons to have this formidable pedal in your effects arsenal!
There are various makes and models of ‘wah’ out there. The Dunlop ‘Crybaby’ is probably the best known. There’s also the Morley ‘Bad Horsie’, the Boss ‘V-wah’ and the Snarling Dogs ‘Fire Bawl’ (See cover image) to name just a few. I personally use an Ibanez ‘Weeping Demon’.
Let’s go through some examples of how the wah effect can be used, how it works and some examples of songs which use it.Continue Reading